{"title":"Starting Your Collection","description":"\u003cp\u003e\u003cspan\u003eDiscover our curated collection of essential photography books perfect for new collectors, with works by Paul Graham, Alec Soth, Deana Lawson, Thomas Demand, and more.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"deana-lawson-br-peter-eleey-eva-respini-eds","title":"Deana Lawson","description":"\u003cp class=\"p1\"\u003e\u003cem\u003eDeana Lawson\u003c\/em\u003e, the first scholarly publication on the artist Deana Lawson, surveying fifteen years of her photography, will be published to accompany the first comprehensive museum survey exhibition featuring Lawson’s artwork. A singular voice in contemporary photography, Lawson has been investigating and challenging conventional representations of black identities in the African American and African diaspora for over fifteen years. Her work samples numerous photographic languages, including the family album, studio portraiture, staged tableaux, documentary pictures, and found images, creating narratives of family, love, and desire. Lawson’s photographs are made in collaboration with her subjects, who are sometimes nude, embracing, and directly confronting the camera, destabilizing the notion of photography as a passively voyeuristic medium. Whether in posed photographs or assembled collages, Lawson’s works channel broader ideas about personal and social histories of black life, love, sexuality, family, and spiritual beliefs. This publication will include selections from Lawson’s personal family photographs and archives of vernacular images that have profoundly informed her work.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAccompanies an exhibition at ICA\/Boston from 3 November, 2021 - 27 February, 2022; MoMA PS1 from 14 April - 5 September, 2022; and High Museum of Art from 7 October, 2022 - 19 February, 2023.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cbr\u003eIncludes essays by Eva Respini and Peter Eleey (curators of the exhibition), Kimberly Juanita Brown (Professor at Dartmouth College), Tina M. Campt (Professor at Brown University), Alexander Nemerov (Professor at Stanford University), Greg Tate (writer, musician, and producer), and a conversation between the artist and Deborah Willis (Professor at New York University).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Gd_4jlN_az4\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":40481200799939,"sku":"9781912339983","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/9372\/0003\/files\/cover644_e9adf537-79de-4ae5-a848-eb6653c45872.jpg?v=1770426966"},{"product_id":"a1-the-great-north-road-br-paul-graham-first-edition-second-printing","title":"A1 - The Great North Road","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eA1 - The Great North Road\u003c\/em\u003e was Paul Graham's first book, published in 1983. Despite the UK having a vibrant photographic scene at the time, there were only handful of monographic books - Chris Killip and Martin Parr had one each - and no dedicated publishers or distributors. Graham had to self-publish \u003cem\u003eA1\u003c\/em\u003e, but as the first colour book, it had a startling impact on British photography. Uniting the tradition of social documentary with the fresh approach of new colour, \u003cem\u003eA1 - The Great North Road\u003c\/em\u003e was transformative on photography in the UK and paved the way for a new generation of British colour photographers to emerge, from Nick Waplington to Anna Fox, Richard Billingham to Tom Wood. \u003cbr\u003e\u003cbr\u003eSpanning the full length of England and into Edinburgh, Graham travelled repeatedly along the 'Great North Road' with a large format camera, to record the people, buildings, and landscape of early 1980's Britain. Now 40 years old, this book is as much art as it is a historical document of the years of Margaret Thatcher’s government and the UK’s declining industrial base. \u003cbr\u003e\u003cbr\u003eGraham went on to complete \u003cem\u003eBeyond Caring\u003c\/em\u003e (1985) and \u003cem\u003eTroubled Land\u003c\/em\u003e (1986), both of which became iconic bodies of work. Originally self-published and now rare, Graham's 1980's trilogy of books will be re-published over the coming years by MACK.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1q8Ky9LMO08\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":40481296220355,"sku":"9781912339945","price":60.0,"currency_code":"EUR","in_stock":true},{"title":"Signed","offer_id":40481296253123,"sku":"9781912339945S","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/9372\/0003\/files\/cover402_831cb349-f759-4fba-9e8b-3d681894c900.jpg?v=1770426898"},{"product_id":"sleeping-by-the-mississippi-br-alec-soth","title":"Sleeping by the Mississippi","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003eby Alec Soth is one of the defining publications in the photobook era. First published by Steidl in 2004, it was Soth’s first book, sold through three print runs, and established him as one of the leading lights of contemporary photographic practice. This is the second printing of the MACK edition and includes two new photographs that were not included in the Steidl versions of the book.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEvolving from a series of road trips along the Mississippi River,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecaptures America’s iconic yet oft-neglected ‘third coast’. Soth’s richly descriptive, large-format colour photographs present an eclectic mix of individuals, landscapes, and interiors. Sensuous in detail and raw in subject,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eelicits a consistent mood of loneliness, longing, and reverie. ‘In the book’s 46 ruthlessly edited pictures’, writes Anne Wilkes Tucker in the original essay published in the book, ‘Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex.’\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLike Robert Frank’s classic \u003cem\u003eThe Americans\u003c\/em\u003e, \u003c\/span\u003e\u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e\u003cspan\u003e merges a documentary style with poetic sensibility. The Mississippi is less the subject of the book than its organizing structure. Not bound by a rigid concept or ideology, the series is created out of a quintessentially American spirit of wanderlust. \u003c\/span\u003eSixteen\u003cspan\u003e years since the book was first published, the artist’s lyrical view has undoubtedly acquired a nuanced significance – one in which hope, fear, desire and regret coalesce in the evocative journey along this mythic river.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWatch Alec Soth's Bookshelf Tour \u003ca href=\"https:\/\/mackbooks.co.uk\/pages\/live\" title=\"Alec Soth Bookshelf Tour MACK LIVE\"\u003ehere\u003c\/a\u003e. \u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":40481419296963,"sku":"9781910164891","price":55.0,"currency_code":"EUR","in_stock":false},{"title":"Signed","offer_id":40481419329731,"sku":"9781910164891S","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/9372\/0003\/files\/cover34_f1d67932-948d-44a2-a05e-b389538ef0d2.jpg?v=1770426828"},{"product_id":"kodachrome-br-luigi-ghirri","title":"Kodachrome","description":"\u003cp\u003eIn 1978 Luigi Ghirri self-published his first book, an avant-garde manifesto for the medium of photography and a landmark in his own remarkable oeuvre.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKodachrome\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehas long been out of print and on the 20th anniversary of Ghirri’s death, MACK is proud to publish the second edition.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Ghirri fights to maintain our ability to see. His works are powerful devices for the re-education of the gaze. They alter the perception we have of the world without proposing a single path to follow, rather they provide us with the tools we need to find the one we’re looking for.’\u003c\/em\u003eFrancesco Zanot\u003c\/p\u003e\n\u003cp\u003ePart amateur photo-album, Ghirri presents his surroundings in tightly cropped images, making photographs of photographs and recording the Italian landscape through it’s adverts, postcards, potted plants, walls, windows, and people. His work is deadpan, reflecting a dry wit, and is a continuous engagement with the subject of reality and of landscape as a snapshot of our interaction with the world.\u003c\/p\u003e\n\u003cp\u003eThis new edition of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKodachrome\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis published as a facsimile of the original, adopting the original design, text layout and image sequence, but using new image files scanned from Ghirri’s original film to take advantage of modern technology and printing methods. A small booklet is included with an essay by Francesco Zanot, which offers a contemporary perspective on the historical impact of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKodachrome\u003c\/em\u003e, alongside French and German translations of the original texts from the book (which were published in English and Italian).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘The daily encounter with reality, the fictions, the surrogates, the ambiguous, poetic or alienating aspects, all seem to preclude any way out of the labyrinth, the walls of which are ever more illusory… to the point at which we might merge with them… The meaning that I am trying to render through my work is a verification of how it is still possible to desire and face a path of knowledge, to be able finally to distinguish the precise identity of man, things, life, from the image of man, things, and life.’\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eLuigi Ghirri\u003c\/p\u003e\n\u003cp\u003eBorn in Scandiano in 1943, Luigi Ghirri spent his working life in the Emilia Romagna region, where he produced one of the most open and layered bodies of work in the history of photography. He was published and exhibited extensively both in Italy and internationally and was at the height of his career at the time of his death in 1992.\u003c\/p\u003e\n\u003cp\u003ePhotography critic and curator Francesco Zanot has been working with some of the most renowned European and international photographers, including Alec Soth and Olivo Barbieri, for over 10 years. He has participated in multiple conferences and seminars on photography in different institutions such as Columbia University in New York and the American Academy in Rome. He is associate editor of Fantom, photographic quarterly magazine based in Milan and New York.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Paperback","offer_id":40481873264835,"sku":"9781907946240","price":35.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook","offer_id":52574032855306,"sku":"9781907946240E","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/9372\/0003\/files\/Kodachrome_Cover1_ac8eb86e-10e2-4ed9-94ea-097c2ae76c35.jpg?v=1771321692"},{"product_id":"ravens-br-masahisa-fukase","title":"Ravens","description":"\u003cp\u003e\"Ravens\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eis one of the defining bodies of work in the history of photography and a high point in the photo book genre. This accumulation of accolades, and the passing of time, have obscured much of the fascinating detail which explains the artist’s pre-occupation with this motif throughout his work. It was not simply a reflection of the existential angst and anhedonia he suffered throughout his life but manifested in artistic self-identification with the raven and ultimately spiralled into a solitary existence and artistic practice on the edge of madness. And all this before an untimely accident in 1992, a fall down the stairs of his favourite bar, resulted in him spending the final twenty years before his death with his consciousness suspended and in medical isolation. Fukase became the singular raven frozen by his camera and immortalized on the cover of his most famous book.\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e– \u003c\/span\u003eTomo Kosuga from his essay\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCries of Solitude\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[2017]\u003c\/p\u003e\n\u003cp\u003eConsistently proclaimed as one of the most important photobooks in the history of the medium,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRavens\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo Kosuga. His essay locates Ravens in Fukase’s wider work and life, and is illustrated with numerous recently discovered photographs and drawings.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eFukase’s haunting series of work was made between 1975 and 1986 in the aftermath of a divorce and was apparently triggered by a mournful train journey to his hometown. The coastal landscapes of Hokkaido serve as the backdrop for his profoundly dark and impressionistic photographs of ominous flocks of crows. The work has been interpreted as an ominous allegory for postwar Japan.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eMasahisa Fukase (b. 1934, Hokkaido; d. 2012) graduated from the Nihon University College of Art’s Photography Department in 1956. He became a freelance photographer in 1968 after working at the Nippon Design Center and Kawade Shobo Publishers. His major books include\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eYugi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[Homo Ludence] (Chuokoron-sha, 1971);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eYohko\u003c\/em\u003e(Asahi Sonorama, 1978), and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKarasu [Ravens]\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Sokyu-sha, 1986). Countless solo exhibitions have been dedicated to Fukase’s work, and his photographs have been included in group exhibitions at the MoMA, NY; Oxford Museum of Art; Fondation Cartier pour l’Art Contemporain, Paris; V\u0026amp;A, London. Fukase also won numerous prizes, including the 2nd Ina Nobuo Award in 1976 for his exhibition “Karasu” and the Special Award at the 8th Higashikawa Photography Awards in 1992. Fukase tragically fell down a set of stairs in 1992 and suffered a traumatic brain injury from which he never recovered. He passed away in 2012.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":45709337788682,"sku":"9781910164839","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/9372\/0003\/files\/Ravens_Cover1_a30cfbd8-0df7-453e-99ab-3035eb0740e3.jpg?v=1742989665"},{"product_id":"some-say-ice-br-alessandra-sanguinetti","title":"Some Say Ice","description":"\u003cp\u003eSince 2014, Alessandra Sanguinetti has been returning to the small town of Black River Falls in Wisconsin, creating the photographs that would come to form the stark and elliptical series \u003cem\u003eSome Say Ice\u003c\/em\u003e. The same town is the subject of \u003cem\u003eWisconsin Death Trip\u003c\/em\u003e, a book of photographs taken by Charles Van Schaick in the late 1800s documenting the bleak hardships of the lives and deaths of its inhabitants. Sanguinetti first came across this book as a child, and the experience is engraved into her memory as her first reckoning with mortality. This encounter eventually led her to explore the strange relationship of photography and death, and ultimately to make her own visits to Black River Falls. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe austere, sculptural scenes and ambiguous, uneasy portraits that make up \u003cem\u003eSome Say Ice \u003c\/em\u003edepict a place almost outside of time. Presented unadorned by text or explication, the photographs are touched with the spirit of the gothic as well as the unmistakable tenderness familiar from Sanguinetti’s series \u003cem\u003eThe Adventures of Guille and Belinda\u003c\/em\u003e. By bringing undercurrents of doubt and darkness to the surface of her images, Sanguinetti alludes to things absent or invisible, playing on atmospheres both real and imagined, as well as the ghostly possibility of undoing death through the act of photography. 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Made through Thomas Demand’s renowned practice of constructing, photographing, and destroying meticulous paper models, this series captures minor, everyday moments based on iPhone photographs. Viewed together, they are an inventory of traces – signs of consumption, evidence of people just departed or out of sight, spectres of things left behind. Demand describes the series as a form of Haiku: simple fragments strung together to inspire reflection and help us take stock of our daily lives. Just as they trigger deja vu through their performed, minimal repetition, they ask us to look again, and afresh, to discover an ordinary yet enlightening beauty.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis new volume brings together the entirety of Demand’s series to date in an expanded edition interwoven with an extended essay by critic Hal Foster.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":43882322362634,"sku":"9781913620943","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/9372\/0003\/files\/TheDailies_01_bc165218-e28e-4ad9-b05a-db84dd3031c4.jpg?v=1776165866"},{"product_id":"faces-and-phases-zanele-muholi","title":"Faces and Phases","description":"\u003cp\u003e\u003cstrong\u003eAvailable to pre-order - this title is due to ship in October\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e'This is not art; this is life. Each and every photograph is someone’s biography.’ Zanele Muholi\u003c\/p\u003e\n\u003cp\u003eSince 2006, Zanele Muholi has been documenting Black lesbian and bisexual women, queer, trans, non-binary, and gender fluid people in South Africa and beyond, creating the remarkable black-and-white portraits that form their life-long series \u003cem\u003eFaces and Phases\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThis ambitious new volume, which is released to mark the project’s twentieth anniversary, showcases its geographical expansion and representational diversity, assembling more than three hundred largely unpublished photographs made in places including São Paolo, Salvador, London, Porto, Los Angeles, Panama City, as well as Muholi’s native South Africa. Describing themselves as a visual activist, their mission is ‘to re-write a Black queer and trans visual history, for the world to know of our resistance and existence’. Through these collaborative portraitures, Muholi seeks to remedy the invisibility of Black LGBTQIA+ communities. Documenting each person’s individuality with radical tenderness, these striking photographs are often accompanied by participants’ testimonies, sharing their personal stories, feelings, and lived experiences. 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